Tell Me Más: Bodine Talks New Album "Quemo Lento" and Growing From Hardships

In the music video for her piano-driven interlude "Bambi," Bodine poses in the middle of a dense forest, artistically garbed in assorted animal bones as she croons over the black and white footage with an ear-catching voice that straddles mezzo and alto ranges. The visual doubled as an announcement video for her sophomore EP, "Quemo Lento," which dropped last month. Still, if anyone got the impression the project would hinge on somber instrumentals, her other tracks quickly proved them wrong. The follow-up singles "No Me Quiere Más Na'" and "Nalgaje" present a saucier and more liberated version of Bodine. But who is the real Bodine? Is it the contemplative, artsy soul hinted at in the first track, or the one who takes pride in homaging vedette Iris Chacón and singing catchy odes to booties? The answer is unsurprising to those who know her - she's both. Born in Amsterdam, Bodine Koehler Peña and her family relocated to Puerto Rico when she was 8, and that's where she spent her formative years. After a brief stint in a Catholic elementary school in Old San Juan, she enrolled in the Escuela Especializada en Ballet Julián E. Blanco. The institution offered an opportunity to learn both traditional courses and dance. "We trained from 7:30 in the morning until 11:30, and then took a shower, [ate] lunch, and had academics until 5," she says. Bodine doesn't hesitate to refer to herself as having been a "wild child" during her early teenage years, spurring her mother into finding another outlet for all that energy. "I never followed rules," she says, slyly grinning. "And my mom was like, 'Wow, I have to find things for her to do, to really keep her off the street.' I was making too many friends too fast." Related: Bad Bunny's First NYC Show From His Most Wanted Tour Is Proof His Latine Fans Still Come First Her solution wasn't far away: an old piano they had in the house often grabbed Bodine's attention. "I would always sit down and play some disparates," she laughs. Noting her interest in music, her mother got her formal piano classes at San Juan's Department of Art and Culture. Soon after, her grandfather helped cover the costs of enrolling her at the Puerto Rico Conservatory of Music, where she eventually took courses in piano, songwriting, and opera singing. During this time, Bodine gained what she today calls a "survival instinct" that she's harbored ever since. Her family relied primarily on public transportation, but the surplus of classes she was taking meant her days ended late. She and her mother would walk dimly lit streets and bridge underpasses to bus stops, often paying with coins they had scrounged up. Far from the façade of the carefree, impossibly beautiful model that came later, Bodine looks back at those days as tinged with uncertainty and worry. To hear her tell it, her ambitions were born from a desire to protect her family, whom she saw was sacrificing so much for her. Related: Shakira Thinks the "Barbie" Movie Is Emasculating - Here's How She Missed the Point "It was a necessity. The way it came to me, it was not even me really looking for it," Bodine says. "I was just like, 'I have to take care of my mom.'" Her most significant break came at the young age of 13 and resulted from a spur-of-the-moment decision. As she tells it, on an inspired whim, she walked into the Calle Loíza offices of notable Puerto Rican fashion designer Harry Robles and declared herself his next model. Her spunkiness and confidence impressed Robles, and the very next day, she had the gig. This was the first step on the path that led to her becoming Miss Puerto Rico and participating in Miss Universe 2012 in front of millions. While she tries not to dwell on her years as the reigning Miss Puerto Rico and her experiences afterward as a budding model in New York City, especially in light of the more upbeat and optimistic flavor of "Quemo Lento," she shares that that phase of her career created an arc that has molded her into who she is today. She's proud of the work, but readily admits she took the opportunity because of its benefits. "The reason I got in there was they told me, 'Hey, you will get some money. You will get a car.' And I needed [to pay for] school, I needed a car, I needed to buy books, I needed to help my family," she says. What came after her participation in Miss Universe was another deck of cards, one that didn't turn out in her favor. According to Bodine, these days, women who are successful in pageants go on to appear in TV shows or receive greater opportunities for their careers. But in her time, she says, "it wasn't like that." "I had to provide for my family, for myself, and so I had to leave and hustle." She continues: "You finish, and then you're

Tell Me Más: Bodine Talks New Album "Quemo Lento" and Growing From Hardships
In the music video for her piano-driven interlude "Bambi," Bodine poses in the middle of a dense forest, artistically garbed in assorted animal bones as she croons over the black and white footage with an ear-catching voice that straddles mezzo and alto ranges. The visual doubled as an announcement video for her sophomore EP, "Quemo Lento," which dropped last month. Still, if anyone got the impression the project would hinge on somber instrumentals, her other tracks quickly proved them wrong. The follow-up singles "No Me Quiere Más Na'" and "Nalgaje" present a saucier and more liberated version of Bodine. But who is the real Bodine? Is it the contemplative, artsy soul hinted at in the first track, or the one who takes pride in homaging vedette Iris Chacón and singing catchy odes to booties? The answer is unsurprising to those who know her - she's both. Born in Amsterdam, Bodine Koehler Peña and her family relocated to Puerto Rico when she was 8, and that's where she spent her formative years. After a brief stint in a Catholic elementary school in Old San Juan, she enrolled in the Escuela Especializada en Ballet Julián E. Blanco. The institution offered an opportunity to learn both traditional courses and dance. "We trained from 7:30 in the morning until 11:30, and then took a shower, [ate] lunch, and had academics until 5," she says. Bodine doesn't hesitate to refer to herself as having been a "wild child" during her early teenage years, spurring her mother into finding another outlet for all that energy. "I never followed rules," she says, slyly grinning. "And my mom was like, 'Wow, I have to find things for her to do, to really keep her off the street.' I was making too many friends too fast." Related: Bad Bunny's First NYC Show From His Most Wanted Tour Is Proof His Latine Fans Still Come First Her solution wasn't far away: an old piano they had in the house often grabbed Bodine's attention. "I would always sit down and play some disparates," she laughs. Noting her interest in music, her mother got her formal piano classes at San Juan's Department of Art and Culture. Soon after, her grandfather helped cover the costs of enrolling her at the Puerto Rico Conservatory of Music, where she eventually took courses in piano, songwriting, and opera singing. During this time, Bodine gained what she today calls a "survival instinct" that she's harbored ever since. Her family relied primarily on public transportation, but the surplus of classes she was taking meant her days ended late. She and her mother would walk dimly lit streets and bridge underpasses to bus stops, often paying with coins they had scrounged up. Far from the façade of the carefree, impossibly beautiful model that came later, Bodine looks back at those days as tinged with uncertainty and worry. To hear her tell it, her ambitions were born from a desire to protect her family, whom she saw was sacrificing so much for her. Related: Shakira Thinks the "Barbie" Movie Is Emasculating - Here's How She Missed the Point "It was a necessity. The way it came to me, it was not even me really looking for it," Bodine says. "I was just like, 'I have to take care of my mom.'" Her most significant break came at the young age of 13 and resulted from a spur-of-the-moment decision. As she tells it, on an inspired whim, she walked into the Calle Loíza offices of notable Puerto Rican fashion designer Harry Robles and declared herself his next model. Her spunkiness and confidence impressed Robles, and the very next day, she had the gig. This was the first step on the path that led to her becoming Miss Puerto Rico and participating in Miss Universe 2012 in front of millions. While she tries not to dwell on her years as the reigning Miss Puerto Rico and her experiences afterward as a budding model in New York City, especially in light of the more upbeat and optimistic flavor of "Quemo Lento," she shares that that phase of her career created an arc that has molded her into who she is today. She's proud of the work, but readily admits she took the opportunity because of its benefits. "The reason I got in there was they told me, 'Hey, you will get some money. You will get a car.' And I needed [to pay for] school, I needed a car, I needed to buy books, I needed to help my family," she says. What came after her participation in Miss Universe was another deck of cards, one that didn't turn out in her favor. According to Bodine, these days, women who are successful in pageants go on to appear in TV shows or receive greater opportunities for their careers. But in her time, she says, "it wasn't like that." "I had to provide for my family, for myself, and so I had to leave and hustle." She continues: "You finish, and then you're